Three years before those early sessions, Peter Gabriel released Eve, an earnestly odd CD-ROM adventure featuring bizarre dreamscapes soundtracked by his own music, which the player could collect and remix. We’ve seen dozens of collaborations between musicians and videogames since, but Kid A Mnesia is perhaps the first that feels like it belongs to the same lineage. It’s effectively a virtual museum tour meets avant-garde walking simulator, with sequences that suggest Tetsuya Mizuguchi adapting the lightshow from a Radiohead concert (as well as one or two moments that suggest Jeff Minter was fighting him for the controls).
This story is from the January 2022 edition of Edge.
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This story is from the January 2022 edition of Edge.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
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