The women she paints are of another time and place, nonspecific but suggestive of pagan days in the floral wreaths and ribbons they wear, the Victorian-era in their gowns, and the gardens and interiors they inhabit; and dream-like realms of another world entirely.
The women, who King likes to think of as “lone wanderers,” gaze inscrutably out at the viewer, present yet detached, or are entirely self-absorbed, indifferent to any potential observer.
“I feel very akin to them that in that they are an extension of myself, as many are built from my own experiences and places I have been,” says King. “They reflect my own feelings, my desire for the quiet, to create and to roam.”
They also reflect King’s interest in local folklore and traditions, which she weaves into her own narratives that unfold in the fictional place she calls Fallowmoor.
This story is from the November 2024 edition of American Art Collector.
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This story is from the November 2024 edition of American Art Collector.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
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