The resulting flood carries detritus to the Small River, which passes things along to the Medium River, which hands the lot off to the Big River, and before we know it we, too, are swept away, caught in the force of that water, in the force of those sentences, which take us right to Selam Asmelash, the irresistible and unforgettable heart of the story-a not-quite-a-child narrator busy making her way into the world.
"I am the little terrorist who managed to fuck with an entire town's head before I was even born, and this is my story," Selam says. This line has stayed in my head. As Selam narrates the story of her onceprosperous family navigating socialist political upheaval in the 1980s, she can't help but be blunt, outlining with savage wit and undeniable tenderness the thousand hypocrisies of the political and personal jockeying around her. The smallest child in her sizable family, Selam somehow manages-relentlessly, like that flood-to pose big questions about politics, power, and faith. Mihret Sibhat has written a novel that seamlessly and audaciously teaches us to play by its rules and to read along at its merciless, fluid velocity. It's a book that will make you feel like you must keep up with it and that there's nothing you'd rather do.
One of the most astonishing things about your book is the voice. The narrator is a child, and even though Selam has little control over her world, she has command of the story. How did you think about approaching her perspective, and what were the most exciting and challenging parts of navigating this point of view?
This story is from the July - August 2023 edition of Poets & Writers Magazine.
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This story is from the July - August 2023 edition of Poets & Writers Magazine.
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Literary MagNet
When Greg Marshall began writing the essays that would become his memoir, Leg: The Story of a Limb and the Boy Who Grew From It (Abrams Press, June 2023), he wanted to explore growing up in Utah and what he calls \"the oddball occurrences in my oddball family.\" He says, \"I wanted to call the book Long-Term Side Effects of Accutane and pitch it as Six Feet Under meets The Wonder Years.\" But in 2014 he discovered his diagnosis of cerebral palsy, information his family had withheld from him for nearly thirty years, telling him he had \"tight tendons\" in his leg. This revelation shifted the focus of the project, which became an \"investigation into selfhood, uncovering the untold story of my body,\" says Marshall. Irreverent and playful, Leg reckons with disability, illness, queerness, and the process of understanding our families and ourselves.
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READING The Museum of Human History felt like listening to a great harmonic hum. After I finished it I found the hum lingering in my ears. Its echo continued for days.
The Sea Elephants
SHASTRI Akella's poised, elegant debut, The Sea Elephants, is a bildungsroman of a young man who joins a street theater group in India after fleeing his father's violent disapproval, the death of his twin sisters, and his mother's unfathomable grief.
The History of a Difficult Child
MIHRET Sibhat's debut novel begins with God dumping rain on a small Ethiopian town as though. He were mad at somebody.
The Sorrows of Others
AS I read each story in Ada Zhang’s brilliant collection, The Sorrows of Others, within the first few paragraphs— sometimes the first few sentences— I felt I understood the characters intimately and profoundly, such that every choice they made, no matter how radical, ill-advised, or baffling to those around them, seemed inevitable and true to me.
We Are a Haunting
TYRIEK White’s debut novel, We Are a Haunting, strikes me as both a love letter to New York City and a kind of elegy.
RADICAL ATTENTION
IN HER LATEST BOOK, THE LIGHT ROOM: ON ART AND CARE, PUBLISHED BY RIVERHEAD BOOKS IN JULY, KATE ZAMBRENO CELEBRATES THE ETHICAL WORK OF CAREGIVING, THE SMALL JOYS OF ORDINARY LIFE, AND AN ENGAGEMENT WITH THE NATURAL WORLD WITHIN HUMAN SPACES.
The Fine Print
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Blooming how she must
WITH ROOTS IN NATURE WRITING, ENVIRONMENTAL JUSTICE, POETRY, AND PHOTOGRAPHY, CAMILLE T. DUNGY'S NEW BOOK, SOIL: THE STORY OF A BLACK MOTHER'S GARDEN, DELVES INTO THE PERSONAL AND POLITICAL ACT OF CULTIVATING AND DIVERSIFYING A GARDEN OF HERBS, VEGETABLES, FLOWERS, AND OTHER PLANTS IN THE PREDOMINANTLY WHITE COMMUNITY OF FORT COLLINS, COLORADO.
