IT IS PERHAPS telling that comparatively little contemporaneous interview material exists for the final part of George Lucas's original Star Wars trilogy compared to the two films that preceded it. After all, while Return of the Jedi was the most hotly anticipated film of 1983 (if not all time, at that point), its production was anything but smooth. And although it cleaned up at the box office, it remains one of the more audience-splitting instalments in the entire Star Wars saga; some claiming it to be an exciting and emotional climax to the Luke/Leia/Vader story, others seeing it as little more than a glorified toy commercial.
'The movies are so popular and successful. George [Lucas] knew what he wanted, and he got what he wanted,' reflected co-writer Lawrence Kasdan on the cast and crew commentary track for Return of the Jedi. 'Could they have been different and also successful? Yes, obviously. Could they have been as successful? Who knows? But does it matter when you've been that successful?'
Happy endings
It's an interesting question to ponder, especially given the production stories that have slowly emerged in the four decades since the film hit cinemas. For example, would Return of the Jedi have been better if Han Solo had died? This was an idea promoted by both Kasdan and star Harrison Ford during the writing process.
This story is from the May 2023 edition of Home Cinema Choice.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the May 2023 edition of Home Cinema Choice.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
AV Avenger
You should think twice before accepting an invitation to play Resident Evil 4 with spatial audio in a haunted prison, warns Steve May
Catalogue classic Star Wars: Ep. VI - Return of the Jedi → Ultra HD Blu-ray, Disney
Forty years on from the movie's cinema release, Anton van Beek ponders what might have been if things had gone a little diff erently during the making of Return of the Jedi…
Feedback
Got an axe to grind? Need to comment on current tech? Want to share your knowledge with our readers? Team HCC is here to help
M&K Sound V12
TIME ON TEST: Three years REVIEWER: Steve Withers
Sony 'bar demands to be upgraded
This well-specified Dolby Atmos soundbar may have a mid-range price tag, but you'll soon want to spend more, cautions Steve May
Short and sweet
Marantz's compact AV receiver returns with a new look and boosted features – Jamie Biesemans slips it into his AV rig
Discreet delivery
A slim, stylish Scandinavian on-wall system impresses Mark Craven with its handling of the sweet stuff
One project, two rooms
Dan Sait reports on a custom install where a JVC PJ/ Atmos system is joined by a stylish media den
THE KING OF B RDA HOLLYWOOD
Three of his movies have taken over $2billon at the global box office, he's pioneered SFX and 3D technologies, and he's been to the very bottom of the Pacific Ocean. That's James Cameron by the way, not Anton van Beek
System selector!
Given three similar budgets, Mark Craven, Steve May and John Archer assemble three different AV setups focused on movies, streaming and gaming