French hi-fi auteur Devialet has a knack for delivering seismic bass from compact boxes, as seen in its celebrated Phantom speakers that rock like enclosures three times the size. Now comes the Dione, the brand's first Dolby Atmos soundbar, and it punches even lower.
When Elsa Pataky, as Captain J. J. Collins in Netflix actioner Interceptor, unloads her sidearm into a hulking terrorist early into the attack on her isolated marine station, the gun sounds like a cannon going off. Yummy.
This is because the Dione has no fewer than eight SAM-powered (Speaker Active Matching), bass drivers, onboard, which allow it to drop down to a claimed 24Hz. For the end user, this results in a soundbar that lands its low blows with homogeneous, gut-punching skill. Nor does it take long to realize that Devialet's Dione is a devastating Dolby Atmos debut by the brand.
Enter the Orb
Wide at 1.2m (and reassuringly hefty at 12kg), this soundbar is best matched to screens 55in and up, and it promises a 5.1.2-channel performance, courtesy of 17 drivers in total - nine 1.6in diameter full-range aluminium units, plus those eight aluminium woofers, which adopt a 5.25in racetrack driver design.
The Dione's forward-facing array is fabric cloaked, the end modules having Dolby Enabled height drivers similarly clad. The real eye-catcher, though, is the spherical centre channel, named the Orb.
This comes in a default position for horizontal use. However, if you choose to wall mount the 'bar, the Orb can be re-orientated and locked into an alternate forward-facing orientation. An internal gyroscope tells the soundbar how it's been positioned, also resulting in the Atmos drivers becoming front firers, and the front L/R becoming heights. Clever.
This story is from the August 2022 edition of Home Cinema Choice.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the August 2022 edition of Home Cinema Choice.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
AV Avenger
You should think twice before accepting an invitation to play Resident Evil 4 with spatial audio in a haunted prison, warns Steve May
Catalogue classic Star Wars: Ep. VI - Return of the Jedi → Ultra HD Blu-ray, Disney
Forty years on from the movie's cinema release, Anton van Beek ponders what might have been if things had gone a little diff erently during the making of Return of the Jedi…
Feedback
Got an axe to grind? Need to comment on current tech? Want to share your knowledge with our readers? Team HCC is here to help
M&K Sound V12
TIME ON TEST: Three years REVIEWER: Steve Withers
Sony 'bar demands to be upgraded
This well-specified Dolby Atmos soundbar may have a mid-range price tag, but you'll soon want to spend more, cautions Steve May
Short and sweet
Marantz's compact AV receiver returns with a new look and boosted features – Jamie Biesemans slips it into his AV rig
Discreet delivery
A slim, stylish Scandinavian on-wall system impresses Mark Craven with its handling of the sweet stuff
One project, two rooms
Dan Sait reports on a custom install where a JVC PJ/ Atmos system is joined by a stylish media den
THE KING OF B RDA HOLLYWOOD
Three of his movies have taken over $2billon at the global box office, he's pioneered SFX and 3D technologies, and he's been to the very bottom of the Pacific Ocean. That's James Cameron by the way, not Anton van Beek
System selector!
Given three similar budgets, Mark Craven, Steve May and John Archer assemble three different AV setups focused on movies, streaming and gaming