Sony's big thing at the moment is to take an 'apolitical', open-minded approach to which TV technologies it uses, in a bid to make sure its range offers something for every type of buyer. This went into overdrive with the brand's current range, which introduced both its first Quantum Dot OLED TVs and its first Mini LED TVs.
Having loved the 55A95K QD OLED when we reviewed it in HCC #336, it's the X95K Mini LEDs - which Sony positions a step below the A95K sets on its TV range 'ladder' - that we're getting stuck into here, in the pleasingly epic 75in shape of the XR-75X95K.
This model sells for £2,499, which is only a couple of hundred quid more than Sony's 55in QD OLED, despite the huge increase in screen size. And the panel isn't the only thing about the 75X95K that's big. Its chassis is also chunky, to accommodate an unusually deep rear. Far from being embarrassed by its big butt, though, Sony has actually dressed it in an eye-catching moulded checkerboard pattern, and provided a bunch of similarly styled clip-on panels to cover the set's various connection 'bays'.
These hold a good rather than outstanding roster of connections, highlights of which are four HDMIs, two USBS and an Acoustic Centre Sync connection you can use for getting the 75X95K's speakers to join forces with those of Sony's latest soundbars. Only two of the four HDMIS support the gaming features of 4K at 120Hz and variable refresh rates, and one of these HDMIs does double duty as the TV's eARC port for passing lossless object-based audio to compatible soundbars and AVRs.
You also can't simultaneously have Dolby Vision and 4K/120Hz support; you actually have to choose between these key features in the TV's onscreen menus. And as ever with Sony TVs, the Dolby Vision HDR support is backed up by HDR10 and HLG playback, but there's no compatibility with the dynamic HDR10+ format.
In the zone
This story is from the Spring 2023 edition of Home Cinema Choice.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the Spring 2023 edition of Home Cinema Choice.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
AV Avenger
You should think twice before accepting an invitation to play Resident Evil 4 with spatial audio in a haunted prison, warns Steve May
Catalogue classic Star Wars: Ep. VI - Return of the Jedi → Ultra HD Blu-ray, Disney
Forty years on from the movie's cinema release, Anton van Beek ponders what might have been if things had gone a little diff erently during the making of Return of the Jedi…
Feedback
Got an axe to grind? Need to comment on current tech? Want to share your knowledge with our readers? Team HCC is here to help
M&K Sound V12
TIME ON TEST: Three years REVIEWER: Steve Withers
Sony 'bar demands to be upgraded
This well-specified Dolby Atmos soundbar may have a mid-range price tag, but you'll soon want to spend more, cautions Steve May
Short and sweet
Marantz's compact AV receiver returns with a new look and boosted features – Jamie Biesemans slips it into his AV rig
Discreet delivery
A slim, stylish Scandinavian on-wall system impresses Mark Craven with its handling of the sweet stuff
One project, two rooms
Dan Sait reports on a custom install where a JVC PJ/ Atmos system is joined by a stylish media den
THE KING OF B RDA HOLLYWOOD
Three of his movies have taken over $2billon at the global box office, he's pioneered SFX and 3D technologies, and he's been to the very bottom of the Pacific Ocean. That's James Cameron by the way, not Anton van Beek
System selector!
Given three similar budgets, Mark Craven, Steve May and John Archer assemble three different AV setups focused on movies, streaming and gaming