ALICE ROHRWACHER'S La Chimera begins with a dream— and it’s entirely possible the dream never really ends. The film follows Arthur (Josh O’Connor), a strange man with a gift for robbing graves, for finding and lifting the knickknacks the ancient Etruscans of central Italy used to bury with their dead. “These are not meant for human eyes,” runs a refrain in the movie, and the reluctant, withdrawn former archaeologist himself might agree. Arthur seems haunted by his own exploits, and this occasionally rambling film’s queasy dream logic suggests that we’re watching a man halfway between this world and the next, struggling to find his place.
This story is from the April 8-21, 2024 edition of New York magazine.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the April 8-21, 2024 edition of New York magazine.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
THE LOST CITY
Their homes were destroyed. Their communities are gone. How can the people of Los Angeles rebuild?
One Last Rodeo
Palestinian American stand-up comic Mo Amer made a Netflix series loosely based on his experience. Just as he was writing the final season, October 7 happened.
Turn Down the Heat
Seven months after opening, Eel Bar has become a less buzzy, better version of itself.
SARAH MCNALLY'S BOOK CLUB
The owner of the McNally Jackson literary empire is reshaping the city's reading life.
Dance-Floor Euphoria
FKA Twigs celebrates pleasure and freedom.
The Banality of Evil
Fernanda Torres carries a political thriller about Brazilian dictatorship.
A Cabin in the Middle of St. Marks Place
Charles FitzGerald and Kathy Cerick transformed a seven-bedroom SRO loft by hand-with a nonstop supply of reclaimed wood.
Chins Are In
Hypermasculine jawlines are all the rage in Hollywood. They only cost $12,000.
Beyond the End
David Lynch spent his five-decade film and TV career contemplating life, death, and the indescribable realms in between.
Kendrick Lamar, From BLM Symbol to Super Bowl Star
THE ENTHUSIASTIC RESPONSE to Kendrick Lamar's music over the past 12 years has been driven in part by the perception that he's a political vessel.
