THE MOVIE PRODUCER LIVES ON A QUIET cul-de-sac above Beverly Hills, close enough to the action to see office towers, far enough away to run into the occasional mountain lion. Beverly Grove Place winds into a canyon shaded by eucalyptus trees; the neighbors are entrepreneurs, hedge-fund investors, heiresses, studio executives, actors, and the actors' agents. Their multimillion-dollar homes, like the producer's, have high gates and plenty of cameras.
One such home, a four-bedroom, sixbathroom at the end of a long driveway, is even more hidden than most. It had been on the market, sitting empty for months, when, in October, the producer spotted a car in the driveway. He didn’t think anything of it until more started showing up almost nightly. They clogged the narrow road, blocking the producer’s Bentley. Then heavy bass began pumping from the backyard pool area every night, the beat ricocheting around the canyon. People would arrive—tumbling out of Ubers, teetering up from the base of the street. Early one morning, two young-looking women in spaghetti straps carrying sparkly little purses rang the producer’s doorbell. “I’m about to climb this ho,” one said, looking at the gate. She pushed her mouth onto his Ring camera to kiss the lens.
People who could afford to buy a house on the cul-de-sac didn’t throw parties like these. After a few weeks, the producer called the real-estate agent on the listing for the empty mansion, 1316 Beverly Grove Place. No one had bought the house, the agent said. Whoever had moved in did not belong there.
Who the fuck are these people, the producer wondered, squatting in the most exclusive Zip Code in America?
This story is from the March 11-24, 2024 edition of New York magazine.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the March 11-24, 2024 edition of New York magazine.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
LIFE AS A MILLENNIAL STAGE MOM
A journey into the CUTTHROAT and ADORABLE world of professional CHILD ACTORS.
THE NEXT DRUG EPIDEMIC IS BLUE RASPBERRY FLAVORED
When the Amor brothers started selling tanks of flavored nitrous oxide at their chain of head shops, they didn't realize their brand would become synonymous with the country's burgeoning addiction to gas.
Two Texans in Williamsburg
David Nuss and Sarah Martin-Nuss tried to decorate their house on their own— until they realized they needed help: Like, how do we not just go to Pottery Barn?”
ADRIEN BRODY FOUND THE PART
The Brutalist is the best, most personal work he's done since The Pianist.
Art, Basil
Manuela is a farm-to-table gallery for hungry collectors.
'Sometimes a Single Word Is Enough to Open a Door'
How George C. Wolfein collaboration with Audra McDonald-subtly, indelibly reimagined musical theater's most domineering stage mother.
Rolling the Dice on Bird Flu
Denial, resilience, déjà vu.
The Most Dangerous Game
Fifty years on, Dungeons & Dragons has only grown more popular. But it continues to be misunderstood.
88 MINUTES WITH...Andy Kim
The new senator from New Jersey has vowed to shake up the political Establishment, a difficult task in Trump's Washington.
Apex Stomps In
The $44.6 million mega-Stegosaurus goes on view (for a while) at the American Museum of Natural History.