TO TAKE A flyover of Steve Lukather’s long and storied career is to essentially reminisce about the heights of the past 40 years of pop and rock music. He is both an original member of Toto — who have sold more than 40 million records worldwide, including timeless hits like “Africa” and “Rosanna” — and a prolific solo artist, with an impressive nine albums to his credit, including 2023’s Bridges. These accomplishments alone would have most of us gratefully calling it a day. But when one takes a gander at the 18-page discography on Steve’s website — a comprehensive list of every session he’s ever done, for a veritable who’s who of iconic artists — the enormous impact he and his guitar have had on the world of music becomes clear. In this month’s lesson, we’ll look at some of the industrious guitarist’s most celebrated classic works, starting from the very beginning.
In 1977, Lukather (or Luke, as he’s often called) recorded his first sessions for singer/songwriter Boz Scaggs, who hired the then 20-year-old guitarist to lay down two solos on his album Down
Two Then Left. Throughout Lukather’s solo in “A Clue,” one can already hear hallmarks of his distinctive playing as he creatively combines searing melodies, modern rock licks (that still sound that way today) and a polished, sublime finger vibrato. What also stands out is the guitarist’s rare ability among rock players to deftly negotiate challenging chord changes, a skill that is more commonly found among jazz musicians. To that end, Luke was inspired by one of his guitar heroes, the session legend Larry Carlton.
This story is from the August 2024 edition of Guitar Player.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the August 2024 edition of Guitar Player.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Mother Folker
Dubbed the Queen of the Beatniks, Judy Henske ruled the roost on High Flying Bird.
An ES for Less
Offered by Silvertone and Harmony, the H63 Espanada was the poor-man's version of Gibson's ES-175.
DEATH BECOMES THEM
Tik Tok gave Mother Mother a second lease on life. Now they take on the Grim Reaper with Grief Chapter.
NEW YORK STATE OF MIND
West Coast luthier Ron Thorn took a trip to the Big Apple. He came back with his stunning new Florentine Empirial.
NEVER BE THE SAME
Four decades in with Crowded House's ever-changing lineup, Neil Finn takes a trial-and-error approach to music - and guitar. \"The mistakes make it interesting,” he says.
THEMES FOR IMAGINARY WESTERNS
Estevan and Alejandro Gutiérrez weave haunting guitar instrumentals evocative of spaghetti-western scores. With Sonido Cósmico, they show why they are the most exciting guitar duo of our time.
TIP SHEET
How did Peter Stroud become the right-hand man to Sheryl Crow, Don Henley and many others? It took talent - and these five rules.
MY CAREER IN FIVE SONGS
Four decades down the road with Winger, Reb Beach sheds his hair metal past with this quintet of metal and fusion cuts.
THE SESSION WHISPERER
Shred like the best of them with these 10 techniques gleaned from Steve Lukather, the legendary studio ace and Toto guitarist.
WONDER WOMEN
With her new solo acoustic One Guitar Woman, Sue Foley pays tribute to guitar's female trailblazers, from Elizabeth Cotten and Lydia Mendoza to Maybelle Carter and Charo.