Heirlooms of the Future: PAULINE BURBIDGE
Homes & Antiques|April 2022
Inspired by the natural world and a passion for fabric and stitch, textile artist Pauline Burbidge's pioneering designs have redefined the concept of quilt-making
EMMA LONGSTAFF
Heirlooms of the Future: PAULINE BURBIDGE

Celebrated textile artist Pauline Burbidge is challenging expectations of what a quilt can be. Her pioneering work is held by museums such as London's V&A, as well as prestigious collections in America. I've always been trying to reinvent what quilting is; to make quilts completely on my own terms, and not according to anyone else's rules. I hope I have changed what people mean when they talk about quilts, Pauline says.

Pauline started making quilts after a chance discovery at London's Portobello market in 1975. I found an old quilting book by Ruth Finley from the 1920s, and I decided to try making a few traditional blocks,' she explains. In a traditional quilt, a block is formed from small pieces of fabric patched together to make a larger square (hence 'patchwork'). Conventionally, a quilt top is made up of different square blocks sewn together. The top is joined onto a warmer middle layer and a fabric backing, and the layers are quilted' together with tiny stitches.

'At the time, I was working in the fashion business as a designer, but I loved the simplicity of quilting. It was just me, colour and fabric. At the age of 25, I realised, "This is it!" After Pauline's moment of epiphany, reality hit, and she had to find a way to make a living. Working as a pattern-cutter three days a week meant that she could keep quilting without having to cut corners. Pauline believes it's this refusal to compromise that has kept her making quilts for nearly 47 years.

This story is from the April 2022 edition of Homes & Antiques.

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This story is from the April 2022 edition of Homes & Antiques.

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