This Is My Brother. I Would Like You To See Him.
Professional Photography|Issue 22

Justin Quail has schizophrenia. Big Brother is his younger brother Louis’ account of his recent life, one lived on the periphery of society. This project and recently published book says to the world: ‘This is my brother. I would like you to see him.’

 

Lottie Davies
This Is My Brother. I Would Like You To See Him.
 

SINCE THE death of their parents, Louis Quail and his siblings have assumed the role of intermediaries between his brother Justin and those who would prefer not to notice people like him. Many would rather Justin was less visible; that he be taken care of by others, by ‘the system’. But that system inevitably has gaps and failures.

The family split when Quail was five, and he grew up in Norfolk with his father while Justin, his senior by eight years, stayed with their mother. As a result, Louis’ early memories of Justin are somewhat intermittent. But by all accounts Justin’s adolescence was messy and untethered.

By the age of 20, he’d been diagnosed with paranoid schizophrenia, and Big Brother chronicles the past eight years of Justin’s life. “This project has brought me closer to Justin than I have ever been,” says Quail. “I didn’t start it before, as I don’t think that I had the confidence, or the legitimacy. But now I’m inclined to believe that being ignored is worse than being intruded upon. I felt Justin really needed to be photographed, because he’s really on the lowest ladder of society due to this illness. I wanted to explain to people what it’s like.”

Quail began photographing professionally soon after graduating from Brighton University, although he studied graphic design and illustration. “As a kid, I had a little camera,” he recalls. “You read about how photographers were passionate when they were young, how their mother bought them a little Box Brownie, and away they went. I had a really, really awful Instamatic camera. I would have been 13 and shooting my family on it and I still have those photographs. It made almost shrunken, tiny pieces of film and the picture quality was awful.”

This story is from the Issue 22 edition of Professional Photography.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.

This story is from the Issue 22 edition of Professional Photography.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.

MORE STORIES FROM PROFESSIONAL PHOTOGRAPHYView All
Beauty And The Banal
Professional Photography

Beauty And The Banal

Head of photographs Phil Prodger explains how William Eggleston used colour experimentally as the National Portrait Gallery opens the largest display of his portrait photography ever seen.

time-read
5 mins  |
Issue 11, August 2016
The Art Of The Incomplete
Professional Photography

The Art Of The Incomplete

Amélie Labourdette’s work documents eerie, grey skeletons of unfinished buildings. Her images are a comment on how we inhabit the world, but they’ve also become pieces of art in their own right – and a hint at what might happen to us all in the future.

time-read
3 mins  |
Issue 11, August 2016
Something Really Wonderful Is Going On
Professional Photography

Something Really Wonderful Is Going On

A seagull is suspended, sunlit and spread-winged against a lowering sky. Men unknown to each other march together as if advancing on an unseen enemy. A woman with polished shoes searches through a large, pale handbag. Young girls in matching dresses look to be fleeing impending disaster. Eamonn Doyle shows us fragments of moments in a world of uncertainty and human frailty, with a unique and potentially devastating voice. A relative newcomer to the world of photobooks and photography galleries, he has become a powerful force in the art photography world since 2012.

time-read
6 mins  |
March/April 2017
Share Your Photography, Support A Charity
Professional Photography

Share Your Photography, Support A Charity

A new photography competition for positive social change.

time-read
2 mins  |
March/April 2017
Modern-day Daguerreotypes
Professional Photography

Modern-day Daguerreotypes

Jerry Spagnoli has resurrected one of the oldest mediums in photography and adapted it to suit a contemporary clientele. Now museums are starting to pay attention

time-read
6 mins  |
Issue 12, September 2016
“With no whipped cream available, we ended up using mentholated shaving foam. Oh, does that sting the eyes!”
Professional Photography

“With no whipped cream available, we ended up using mentholated shaving foam. Oh, does that sting the eyes!”

“With no whipped cream available, we ended up using mentholated shaving foam. Oh, does that sting the eyes!”

time-read
2 mins  |
November/December 2016
“Everything about his body language just reeked of Capote”
Professional Photography

“Everything about his body language just reeked of Capote”

Richard Corman recalls how he summoned the spirit of Avedon to shoot Philip Seymour Hoffman for the Capote poster

time-read
4 mins  |
November/December 2016
FujiFilm X-T2
Professional Photography

FujiFilm X-T2

The Fuji X-T1 brought real class and style to the mirrorless camera market, and now the X-T2 adds speed and resolution.

time-read
5 mins  |
November/December 2016
Stephen Shore's Non-Peak Moments
Professional Photography

Stephen Shore's Non-Peak Moments

It is exactly one week after the election of Donald Trump as the 45th President of the United States of America. And from his New York home, Stephen Shore is looking down his computer at me, via the Skype feed that links us, deliberating over the words to express his reaction to the news. “This is going to be a very slow recovery, I think. All over the world it’s been a shock.” The sprightly, silver-haired Shore, who turns 70 this year, pauses for a moment and then neatly diverts the political headline to a subject still relevant to the discussion but of greater concern to him personally.

time-read
10+ mins  |
January/February 2017
Carolina Mizrahi
Professional Photography

Carolina Mizrahi

Meet the Brazilian photographer whose work draws on her fashion background and questions how women are represented in today’s society.

time-read
3 mins  |
January/February 2017