It is the fall of 1971.I have just walked into a room in a church basement, where there is a meeting of NARAL, the National Association for the Repeal of Abortion Laws, the organization created two years earlier by Betty Friedan.
Although abortion had been legal in New York since 1970, it was still illegal in most states.
I've moved to Syracuse—the first time I have lived outside the New York metropolitan area. I’m feeling a bit unmoored, not yet at home in my MFA program, and missing the political engagement I had experienced as a college student at Barnard and Columbia.
When I see my fellow attendees, I know, as Dorothy knew that she was not in Kansas, that I’m not in New York City anymore. Only two of the women look like anyone I would have ever had practice speaking to. One must be, like me, a student: She’s wearing jeans and a peasant blouse. The other is a Black woman with a luxuriant Afro, a jade green turtle necklace, a black skirt, and boots. The others seem like strangers. I had not believed that I would ever be in a room with anyone who wore flesh-colored pantyhose, or who wore her hair in what was called a pixie cut, but here I am. Here we all are.
The meeting is called to order by a short, dark, wiry, fast-talking woman. Quickly, we get down to tactics, which involve organizing travel to Albany and to Washington. Despite the legalization of abortion in New York, antiabortionists are tirelessly picketing the state legislature with gruesome pictures of mangled fetuses. We sign up both for counter-protests and to speak to our local legislators in person. Pennsylvania, a close neighbor state, will be another target of our lobbying. And we will be on the alert for actions in DC, targeting the Supreme Court.
This story is from the November 2022 edition of Vogue US.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the November 2022 edition of Vogue US.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
SCREEN TIME
Three films we can't wait to see.
Impossible Beauty
Sometimes, more is more: Surreal lashes and extreme nails put the fierce back in play
Blossoms Dearie
Dynamic, whimsical florals and the humble backdrops of upstate New York make for a charming study in contrasts.
HOME
Six years ago, Marc Jacobs got a call about a house designed by Frank Lloyd Wright. Making it his own, he writes, would be about love, commitment, anxiety, patience, struggle, and, finally, a kind of hard-fought, hard-won peace.
GIRL, INTERRUPTED
Anna Weyant found extraordinary fame as an artist before she had reached her mid-20s. Then came another kind of attention. Dodie Kazanjian meets the painter at the start of a fresh chapter
ROLE PLAY
Kaia Gerber is someone who likes to listen, learn, read books, go to the theater, ask questions, have difficult conversations, act, perform, transform, and stretch herself in everything she does. That she's an object of beauty is almost beside the point.
CALLAS SHEET
Maria Callas's singular voice made her a legend on the stage. In a new film starring Angelina Jolieand on the runwaysthe romance continues.
BOOK IT
A preview of the best fiction coming
GLOBAL VISTAS
Three new exhibitions offer an expansive view.
MONDAYS WITH MARC
Just how many Met Galas has Marc Jacobs attended? A few of his favorite guests recount fanciful nights at the museum-past and present.