Against the Grain

Working gradually and meticulously, Linda Lucas Hardy creates her colored pencil art using the dry brush technique

Spontaneous Color

John P. Smolko demonstrates his one-of-a-kind mark making in colored pencil

Painterly Effects

The signature style of Jane French's portraiture is achieved through a mix of both sharp and loose brushwork

Free Bird

The alla prima technique lends Iryna Khort a sense of unbridled expression when capturing her wildlife subjects

Master Showcase

This painting is of my friend and fellow artist, Alla Bartoshchuk.

Painting With Passion

In every issue of International Artist we will feature a Painting Workshop from one of New Zealand's best artists.

JAMIE CORETH

Perception and Realization

Expressive Forms

Sculptor and SAS instructor Rod Zullo discusses his inspirations and artistic process

Harley Brown's fascinating things no one else will tell you - LIVING THE DREAM

I don't copy what I see, I do what I see.

Finding the Hidden Beauty.

Whenever I get a chance to work with a live model, I ask their permission to take photographs even when they are not posing.

Shared Joy

Claudia Hartley chats with Scottsdale Artists' School about her roots as an artist and instructor

Agile & Precise

Sandra Bartels moves swiftly between pastels and pastel pencils, focusing separately on each area of her subject

Social Realism

Warren Chang breaks down his recent paintings capturing elements of life in California during the past two years

Tactile Response

Anastasia Trusova utilizes gels, palette knives and scrapers to create multiple textures in her paintings

Painting an Intimate Self Portrait

Like most self-portraits, this painting is an personal paintings often arise from rather mundane circumstances.

The Drama of Nature

From plein air studies to final studio paintings, Kim Casebeer distills the intensity and vibrance of the landscape

FIVE PROBLEMS WITH GOUACHE (AND HOW TO SOLVE THEM)

James Gurney tackles challenges specific to the medium of gouache

Not an Easy Task

My teacher, Everett Raymond Kinstler, Loften said that when he looked at a painting, he was looking for three things: feeling, imagination, and the ability to communicate those first two.

Louis Carr — Intimate Spaces and Youthful Portraits

Louis Carr is an artist based in Raleigh, North Carolina, who is well-known for his intimate and delicately rendered portrait and landscape paintings.

Young at Art

Harley Brown's fascinating things no one else will tell you

Painting Golden Valley

In every issue of International Artist we will feature a Painting Workshop from one of New Zealand's best artists.

Gentle scenes

Soft pastel is a special medium for me. It gives me freedom, control and the possibility to express myself on paper in a variety of ways. I use different types of paper for different effects.

Ethereal quality

I use my work to explore my relationship with the landscape and the feelings of peaceful solitude and contemplative awe. I carry these emotions when I am surrounded by beautiful scenery. It's what I seek to express in my paintings. Watercolor lends itself perfectly to this task due to its ethereal and delicate nature.

HOW TO MAKE GRADIENTS

James Gurney demonstrates how to get your colors to change gradually throughout your picture

PLEIN AIR PAINTING AND ARTISTIC GROWTH

Plein air artist Michael King explores elements unique painting in the field in this three-part series.

The Illusionist

Classically-trained artist Julia Albo uses the power of observation to create three-dimensionality on a flat surface

The Power of Iteration

The Way of Watercolor: In this four-part series, Stephen Berry lends his thoughts and expertise in the realm of watercolor painting

Tips and Tricks

John Lovett shares a few of his studio tips, from brush care to ideal ways to store watercolor paper

Annie Murphy-Robinson

A Discovery of Self

A Light in the Dark

Using a black underpainting, Jed Dorsey shares the advantages and joys of working from dark to light